Cookies Policy

Cookies Policy

Last updated: September 25, 2018

Kate Horsley.co.uk (“us”, “we”, or “our”) uses cookies on the www.katehorsley.co.uk website (the “Service”). By using the Service, you consent to the use of cookies.

Our Cookies Policy explains what cookies are, how we use cookies, how third-parties we may partner with may use cookies on the Service, your choices regarding cookies and further information about cookies. This Cookies Policy for The Victorian Photographer is managed by TermsFeed Cookies Policy Generator.

What are cookies

Cookies are small pieces of text sent by your web browser by a website you visit. A cookie file is stored in your web browser and allows the Service or a third-party to recognize you and make your next visit easier and the Service more useful to you.

Cookies can be “persistent” or “session” cookies. Persistent cookies remain on your personal computer or mobile device when you go offline, while session cookies are deleted as soon as you close your web browser.

How Katehorsley.co.uk uses cookies

When you use and access the Service, we may place a number of cookies files in your web browser.

We use cookies for the following purposes:

  • To enable certain functions of the ServiceWe use both session and persistent cookies on the Service and we use different types of cookies to run the Service:Essential cookies. We may use essential cookies to authenticate users and prevent fraudulent use of user accounts.

What are your choices regarding cookies

If you’d like to delete cookies or instruct your web browser to delete or refuse cookies, please visit the help pages of your web browser.

Please note, however, that if you delete cookies or refuse to accept them, you might not be able to use all of the features we offer, you may not be able to store your preferences, and some of our pages might not display properly.

Where can you find more information about cookies

You can learn more about cookies and the following third-party websites:

» Results of the Sentinel Literary Quarterly Competition Results of the Sentinel Literary Quarterly Competition – Kate Horsley Brewer

Amoxil

buy amoxil

Results of the Sentinel Literary Quarterly Competition

May 4, 2013 , In: Competitions, Stories, Writing , With: No Comments
0

Sentinel Literary QuarterlyI recently judged a short story competition for Sentinel Literary Quarterly and they have just announced the results.  A lot of fantastic stories were submitted.  I enjoyed the variety of literary styles and genres represented, ranging from crime fiction to sci-fi to comedy.  The six winning stories are very different in style, but they all take a courageous approach to their subject matter and in each, the quality of writing as well as structure and characterization, is strong. The First Prize Winner, Sarah Evans’s ‘Glittering Girls’, tells the story of Sofiya, a young girl caught in impoverished circumstances who dreams of the city, where ‘fluorescent lights turn night to tinted day’.  The story combines a dystopian setting with telling details of Sofiya’s worlds – real and imagined – and has the timeless atmosphere of a fable.  The narration is stark, pulling us into the fluctuating current of Sofiya’s emotions as she leaves her drab home behind, not knowing what her ambition might cost her.

The Second Prize-winner, ‘Memory’, by Paxton Avenue, explores a father-son relationship through the lens of reverie.  Building up layers of careful detail to create a darkly nostalgic mood, this story is readable and compelling.  The writer uses the five senses to lead us between the past and the present, shifting between seasons and years, between childish and adult impressions: ‘As a child, barely taller than the door handle, the boy woke into a high-mooned summer night’.  The story ends on a bitter-sweet moment, beautifully evoking the narrator’s sense of loss. The Third Prize goes to a piece of historical fiction by  Jim Kroepfl, ‘Spirit of the Pike’, which excels at natural description and skillfully conjures a far-off time and place. The main character, Kannihut, hunts a pike, his thoughts and movements echoing that of the elusive fish.  The story is built up moment by moment to create a vivid sense of Kannihut’s experience and the writing throughout is taut and captivating.

The three Highly Commended stories,  Julie Swan’s ‘Mind How You Go’, Joan Dowling’s ‘Cold Comfort’ and Andrew Campbell-Kearsey’s ‘Dying to Speak’ are all engaging tales that share a darkly ironic vision of life.  ‘Mind How You Go’ creates a futuristic world in which a tour-guide hosts a journey through the mind of a killer.  ‘Cold Comfort’ fuses the narrator’s wrenching grief to melancholy visions of her lost child returned to her, cleverly leaving the reader uncertain of whether or not this it a ghost story. ‘Dying to Speak’ is a darkly comic tale of illness, paranoia and eventual epiphany about the narrator’s tragic condition.

Comments are closed.

Kate

I'm a writer living in Manchester with my artist husband, a child and a dog. My first novel was shortlisted for the Scottish First Book of the Year Award and my second came out with William Morrow (US) and Killer Reads (UK) in summer 2016 and was translated by South Korean press Tomato Publishing in 2017.