I’m thrilled to bits with this eye-catching cover for my first novel, The Monster’s Wife, due out in July with Barbican Press. The artwork by Jason Anscomb of Rawshock Design is wonderfully original and at the same time absolutely in the spirit of Mary Shelley’s Frankenstein, from which my novel draws its inspiration. The Arcimbaldoesque collage of natural objects is both beautiful and grotesque, which really resonates with the novel, described below:
And the Bride was made flesh…
To a tiny island in Orkney, peopled by a devout community of twenty, comes Victor Frankenstein, driven there by a Devil’s bargain: to make a wife for the Creature who is stalking him across Europe. In this darkly-wrought answer to Frankenstein, we hear the untold tale of the monster’s wife through the perspective of the doctor’s housemaid. Oona works below stairs with her best friend May, washing the doctor’s linens and keeping the fires lit at the Big House. An orphan whose only legacy is the illness that killed her mother, Oona knows she is doomed. But she is also thirsty for knowledge, determined to know life fully before it slips away. As tensions heighten between Victor and the islanders, Oona becomes the doctor’s trusted accomplice, aiding in secret experiments and seeing horrors she sometimes wishes to forget. When May disappears, Oona must face up to growing suspicions about the enigmatic employer to whom she has grown close – but the truth is darker than anything she could imagine.
I’m just making my final touches to the novel and it’s great to feel like the book is so close to being a tangible object!